Inside a Writer's Mind: On Writing a Sequel

People have asked whether it was easier or harder to write the second book in my series, and my honest answer is – it was both! I’ve grown so much as a writer in the time between the first book and second that, from a craft standpoint, it was easier. I’ve learned to recognize my own bad habits and correct them. I know the places where the plot might be dragging and I can add tension before my editor hits the scene with a red pen. I’m able to dive deeper into character development, and I’m willing to take more risks, knowing that if something doesn’t work, I’ll have the time and opportunity to fix it. With writing the second book, I had confidence in the process.

On the other hand, my first book, HORIZON, received some prestigious awards including the Writer’s Digest Grand Prize for Self-Published Fiction in 2016. While it was gratifying to win that award, I definitely felt like I had a lot to live up to, and I felt the stress of it when writing INFINITY. But even without the award, I’d left the first book with an ending that promised a sequel. My newfound readers and fans had an expectation that the story would continue, and I didn’t want to disappoint them. When the early reviews for INFINITY started coming in, and they were actually better than HORIZON’s, I was filled with relief!

As I begin writing the third installment in the series, I’m still working to improve. I’m writing some short fiction, which I find helps hone my skill at creating tension and crafting tight, crisp scenes. I’m guest blogging and writing material for my own web site, because any kind of writing helps keep my creative energy flowing. And I’m reading a lot. My goal as a writer is first and foremost to tell a good story. But I also hope that each book I write will be better than the last! You'll have to let me know what you think...

I'm in There! - Authenticity in a Fictional World

I’m often asked where and when my personal experiences influence my writing, and how they add authenticity and believability to my work. Since I write science fiction, obviously much of the material comes directly from my overactive imagination! However, there’s a good deal of survival fiction in my novels. Although I haven’t had to run for my life through the uninhabited wilderness, like my protagonist Caeli in the Horizon series, I did draw on my own experiences growing up in a rural area and my later experiences hiking and camping.

As kids, my friends and I would explore acres of forest, gather berries by the bucketful, and spend entire days outside, returning home only when the sun set. The smell of pine needles and dirt still conjure memories of childhood. When Caeli was hiding in the forest for a significant part of my first novel, Horizon, and then had to cautiously trek through that same wilderness to find the resistance movement’s hidden camp in the second book, Infinity, I knew this part of the story needed to be particularly authentic. I wanted readers to squint at the bright sun, feel the biting wind on their faces, smell the muddy river water, and hear boots crunch across the frosty fields.

Like Caeli, I’ve had to find water, make a fire, set up camp, and search for food. Unlike Caeli, I wasn’t fleeing from a ruthless army at the same time! As an adult, I’ve camped on the uninhabited islands off the coast of Maine all the way down to the Blue Ridge Mountains, I’ve summited Mount Kilimanjaro in Africa, and I hike locally every week with a group of friends. Every one of these experiences informed and inspired my writing. There’s a particular scene in Horizon where Caeli is teaching Derek, the pilot she’s rescued, how to carve a spoon from a chunk of wood. I have a drawer full of hand carved spoons from my own adventures, and I actually imagined this scene for the book while I was sitting around a campfire whittling utensils. 

Another aspect of the Horizon series that I felt needed to be well researched and accurate were the medical scenes. I chose to keep my characters human, with physical anatomies similar to ours, so when I made Caeli a healer, and had her dealing with emergencies on a regular basis, I drew from my own experiences as an EMT. And here’s a little secret: I’m a medical school dropout. Attending med school with young children proved, for me, an impossible task. I don’t regret my decision at all, but I’m particularly vigilant about describing authentic trauma scenes in my stories. And when I’m not sure about a treatment or procedure, I call my brother-in-law, who did finish medical school and is a practicing physician!

I have great latitude as a science fiction writer. The worlds I imagine aren’t real. But to bring readers along for the ride, and ask them to suspend their belief for the duration of the journey, the places I create must feel authentic. I’ve tried to infuse my writing with color and life drawn from my own real-world experiences to do this. You’ll have to let me know what you think!

Inside a Writer’s Mind – On Editing

I actually like editing. The bones of my book are already there, and at that point, I know I have a good story. I’ve worked out the major plot tangles and character arcs, defined the conflicts, and sorted the ending. It may not be smooth yet, but I know where I’ve started, where I’ve ended up, and I have a lot of good, if raw, material in the middle.

It’s out. I’ve birthed a novel. Well, I’ve birthed a manuscript anyway. I know it’s a long way from the finished product.

Editing will take that raw material and refine it, smooth out the flow, and create balance. I know that my fantastic editor will see the things I can’t and cue me to fix them. I know that when I’ve finished this process I will have a much better book. I know that I can get through it because I’ve done it before.

And yet, when I turn in the draft of my manuscript, after months of intensive work, I don’t even want to think about touching it again. I’m exhausted, and the thought of tearing it apart and reassembling it is daunting. It’s also the time where I am plagued by the most crippling self-doubt. What if it’s terrible? What if I have to scrap the whole thing and start over? I’ll never write again. I have no talent. And so it goes…

Inside my head, it’s a strange and dark place during those few weeks. At first, I’m elated that I’ve finished writing, and can confirm with myself that yes, I did it again. I wrote another book. Almost immediately, the doubt sets in. See above. Then, I actually receive the manuscript back from my editor. Let me say this about my editor before I go any further. She’s incredibly skilled at her job. She gets my vision for the story and helps me define it more clearly. She works with the structure of the whole, while digging into the subtle, fine details. She’s masterful and I love her.

But when I get her five-page editorial document filled with commentary, and my own manuscript, covered in red-ink, back from her, I want to cry. I want to call her on the phone immediately and beg her to tell me she loves me and I don’t suck. I’m sure she’s pleased when I refrain from doing those things.

Instead, I read what she’s sent me thoroughly, and then I put it aside for a few days, maybe a week. I let the ideas percolate. I begin to see the places where what she’s suggesting resonates with what I already knew. I take it seriously when she reacts to something in a way I didn’t intend. I recognize my own bad writing habits.

Creative ideas for how to fix things start to flow, in the same way they did when I wrote the draft. I scribble notes everywhere, from the backs of napkins to the little pad I keep by my bed for middle of the night inspiration. I form a plan of attack. Then I call my editor. We talk. We even laugh. And I remember that I love writing, and I’m reassured that I might just have some small bit of skill at it.